Villa Gnecchi ArrigoniVerderio
Verderio, Brianza

The story of a place. The care of its future.

For years its rooms stood silent. The putti painted on the ceilings kept playing for no one. Now someone has opened the windows again.

A family has taken the villa into its care. Patiently, it will bring the house back to its former splendour and return it, one step at a time, to the life of Verderio.

The front of the villa behind the railings, between two cypresses
The villa appears behind the railings, between two cypresses. Design visualisation
The villa

A house to protect, even before it is restored.

The villa stands in the historic centre of what was once Verderio Superiore. Behind it opens an English landscape park of about twelve thousand square metres. Since 2007 the State has recognised the villa and its park as cultural property of particularly important historic and artistic interest.

The first work cannot be seen. Keeping the water out, protecting the painted ceilings, studying every room before touching it. Restoration will come later, and it will take the time a four-hundred-year-old house deserves.

The villa and its park
What we hope for

A villa coming back to life.

Four commitments, in the order we will take them on. The first comes before everything else.

Conserve

First of all, halt the decay. Roofs, plasterwork, painted ceilings: every intervention will be studied with the Soprintendenza (the State heritage authority) and begun only with its authorisation.

Open

The frescoed rooms will be seen again. We want to make them a place of culture open to the public, where the story of the villa and of Verderio can be told.

Welcome

A villa survives when it is lived in every day. The project includes spaces for hospitality and gathering, which will give it a daily life and the means to sustain itself over time.

The park

Twelve thousand square metres in the English manner, with cedars, magnolias, yews and plane trees. We will care for it as part of the villa, and we want it to become part of village life again, in the ways its protection allows.

The images are design visualisations. Read the notice

Our method

Knowledge first, then the building work.

Study first

Archives, surveys, investigations. We only work on what we understand.

With the institutions

Every decision goes through the Soprintendenza and through dialogue with the Municipality of Verderio.

With our neighbours

Orderly works, clear information, respect for the square and for those who live nearby.

One step at a time

We will talk about what has been decided and authorised. Not before.

A wing of the villa with ochre plaster and green shutters
The plaster carries the marks of time. We will keep them. Design visualisation
History

Airoldi, Arrigoni, Gnecchi Ruscone.

Three families, four centuries. The Arrigoni marquesses left their coats of arms here; the Catasto Teresiano already maps the villa in 1721. In the nineteenth century the Gnecchi Ruscone arrived, and this became their first home in Verderio.

Read the history
Photography and productions

A set with a history.

The villa welcomes a limited number of photo shoots and film productions. The proceeds support its conservation.

Three chimneys against the sky
The details. Indicative image.

Villa Notebooks

All Notebooks

Let us stay in touch.

Friends of the Villa receive news of the restoration, new Notebooks and, when the time comes, invitations to the first openings.

The Villa

A Brianza villa and its English landscape park.

In front, the village square. Behind, a park that draws the eye into the distance. In between, four centuries of life under one roof.

The courtyard, enclosed on three sides
The courtyard: a central block, two wings, and light that moves with the hours. Design visualisation

The building

The Lombardy Region's catalogue of cultural heritage dates the building to the seventeenth and eighteenth centuries. A central block and two wings frame an open courtyard, a layout found in many villas of Brianza.

A nineteenth-century source mentions the Arrigoni coats of arms, painted or carved in the house. to be verified on site

The interiors

On the first floor the rooms open one into the next. Above them are coffered ceilings painted in tempera, and frescoes of music-making putti and garlands of flowers. In one room, life-size telamons seem to hold up the ceiling.

Who painted them, and when, is one of the first questions the restoration will need to answer.

An enfilade of rooms beneath a painted ceiling
One room after another, as far as the last door. Design visualisation
A double door framed with painted flowers
Painted flowers around a door. Design visualisation
An open window in a decorated room
Afternoon light comes in from the garden. Design visualisation

The park

The historical and artistic report attached to the listing decree describes a park of about twelve thousand square metres, laid out in the English landscape style. Cedars, magnolias, yews and plane trees mark its seasons.

The same report identifies its greatest value: the perspective view. From the far end of the park the eye travels across the lawn to the façade. It is the heart of the villa's landscape, and we want to restore it.

The garden front, with a great cedar on the lawn
The great cedar, in front of the garden façade. Design visualisation

At a glance

Name
Villa Gnecchi, Arrigoni (già). Lombardy Region catalogue of cultural heritage
Name in the listing decree
Villa Arrigoni Gnecchi Ruscone con parco
Other names
Villa Arrigoni Gnecchi, in the Municipality of Verderio record. Historic name: Villa Airoldi
Location
Historic centre of Verderio (LC)
Period
Seventeenth and eighteenth centuries
Park
About 12,000 m², English landscape layout
Protection
Of particularly important historic and artistic interest, art. 10, para. 3, letter a), D.Lgs. 42/2004
Decree
Decree of the Direzione Regionale per i Beni Culturali e Paesaggistici della Lombardia (the regional directorate for cultural heritage and landscape), 11 January 2007
Catalogue
Lombardia Beni Culturali, SIRBeC record LC120-00263

Next door stands Villa Gnecchi, formerly Confalonieri. It has its own history and its own protection. The similar names often lead to confusion.

History

Four centuries, three families, one house.

We tell only what the sources document. Where the story has a gap, we say so, and we keep looking.

The families

The oldest name is Villa Airoldi. In the first half of the seventeenth century the property passed to the Arrigoni marquesses, who held it for about two centuries and left their coats of arms here. The maps of the Catasto Teresiano already record it in 1721.

In 1824 it was bought by Giacomo Ruscone. On his death in 1842 it passed to his nephews Giuseppe and Carlo Gnecchi, who, as he had wished, also took his surname. It was the first home of the Gnecchi Ruscone in Verderio, a family that would give the village mayors, schools and public works.

The years of silence

Much of the villa's twentieth century is still to be pieced together. We know how it ends: with a long period of abandonment, when the house was no longer lived in and began to suffer.

New guardians

In 2026 the villa found new guardians. The work begins with what is most urgent: studying the documents and protecting the building, as the heritage regulations provide.

Timeline

  1. First half of the seventeenth century

    The property passes from the Airoldi to the Arrigoni marquesses.

    Archivio Storico di Verderio, Fondo Gnecchi Ruscone
  2. 1721

    The villa appears on the maps of the Catasto Teresiano, owned by the Arrigoni.

    Catasto Teresiano, Archivio di Stato di Milano
  3. Seventeenth and eighteenth centuries

    Period of construction given in the regional catalogue.

    SIRBeC LC120-00263
  4. 1824 some sources give 1823

    Giacomo Ruscone buys the villa and its land from Marquess Decio Arrigoni.

    Archivio Storico di Verderio
  5. 1842

    His nephews Giuseppe and Carlo Gnecchi inherit the estate and the Ruscone surname.

    Comune di Verderio
  6. 1893

    The family estate is divided. The villa passes to Antonio Gnecchi Ruscone.

  7. Twentieth century to be documented

    Changes of ownership, use and form, still being researched.

  8. 11 January 2007

    The villa and its park are declared of particularly important historic and artistic interest.

    Direzione Regionale per i Beni Culturali e Paesaggistici della Lombardia
  9. 2014

    Verderio Superiore and Verderio Inferiore merge to form the Municipality of Verderio.

  10. 2026

    The villa finds new guardians. The work of study and protection begins.

Sources and further reading

  • Direzione Regionale per i Beni Culturali e Paesaggistici della Lombardia, decree of 11 January 2007, with historical and artistic report.
  • Regione Lombardia, Lombardia Beni Culturali, SIRBeC record LC120-00263, 2006. Online record (in Italian)
  • Archivio Storico di Verderio, Fondo Gnecchi Ruscone.
  • Comune di Verderio, record "Villa Arrigoni Gnecchi".
  • Local history studies on Verderio and the Gnecchi Ruscone family. An example online (in Italian)

Do you have documents, photographs or memories of the villa? Write to us. Every contribution will be credited.

Gallery

How it could be.

These images are design visualisations. Archive photographs and photographs of the restoration will have sections of their own.

The Project

Keep its character. Carry the life of the villa forward.

We do not want a villa shut away behind a gate, nor one changed beyond recognition. We want a historic house that is of use to its village again, and is conserved because of it.

The first step

Protect, before restoring.

Today the work is to make the building safe, with temporary and reversible measures, within the permissions that heritage protection requires.

Alongside this, we are gathering documents, surveys and first-hand accounts. They are the basis of every decision to come.

Diary

The villa as it is today.

Here we publish real photographs, each with its date. They show the villa as it is and the work of each day, with no retouching that alters its condition.

Where we want to go

A villa that is open, lived in, and full of people.

The project will take shape only with the necessary permissions. Our commitments, however, are already clear.

Conserve

Halt the decay, then restore. Every intervention will be studied with the Soprintendenza (the State heritage authority) and begun only with its authorisation.

Open

A place of culture open to the public, in the frescoed rooms: to tell the story of the villa, of the families who lived there and of Verderio.

Welcome

Spaces for hospitality and gathering. They give the villa a daily life and the means to look after itself over time, without depending on others.

The park

A historic park to care for and to bring back into the life of the village, in the ways and at the pace its protection allows.

The front of the villa seen from the park
From the far end of the park, the villa: the view we want to restore. Design visualisation
Our commitment
A bridge between the history of the villa and the life of Verderio. Not an enclosure.

We will announce each step once it has been decided and authorised. The Friends of the Villa will be the first to know.

Photography and productions

A set with a history.

A villa of the seventeenth and eighteenth centuries, an English landscape park, plaster and stone that time has made unique. Less than an hour from Milan, the villa welcomes a limited number of photo shoots, campaigns and film productions.

The proceeds support the conservation of the villa.

The courtyard of the villa
The courtyard. Indicative image of the space.
The spaces

Five settings, one light.

The front

Railings, cypresses, the piano nobile with its balcony. For outdoor portraits and campaigns.

The courtyard

A symmetrical backdrop of warm plaster and shutters. For lookbooks and full-length shots.

The park

About twelve thousand square metres in the English manner, a great cedar, open lawns. For campaigns and video.

The rooms

Enfilades of rooms and painted ceilings, accessible once declared safe. For editorials and portraits.

The details

Stone, roof tiles, copper, wood. For accessories, jewellery and still life.

The light

Golden afternoons in the park, sunset over the chimneys. The best hours are listed in the album.

The images give an indication of the spaces and may differ from their current condition. The full album, with a sheet for each setting, is sent once the request has been assessed.

How we work

Few productions, done well.

  1. Request

    You tell us about the project, the dates and the team.

  2. Assessment

    We check that the production is compatible with the protection of the villa. We reply within a few working days.

  3. Recce

    A visit with the production team, to look at the spaces, the light and the logistics.

  4. The shoot day

    A record of the condition of the spaces on arrival and on departure. One of our team is always present.

The rules

A villa to be respected.

  • Access only to the spaces agreed and declared safe.
  • No fixings, nails or adhesives on historic surfaces.
  • Lights and equipment kept well away from painted surfaces.
  • Public liability insurance held by the production.
  • Images published only after the official release, with no indication of entrances.
Request

Tell us about your project.

We consider every request personally. The more detail you give us, the more precise our answer will be.

Spaces of interest
Press

For those who write about the villa.

Verified facts, a short history, images on request. Everything you need to write with accuracy.

In brief

Name
Villa Gnecchi Arrigoni
Location
Verderio (Lecco), historic centre
Period
Seventeenth and eighteenth centuries
Park
About 12,000 m², in the English landscape style
Protection
Cultural property of particularly important historic and artistic interest, decree of 11 January 2007
Today
Being studied and made safe

The history in five lines

Villa Gnecchi Arrigoni is a Brianza residence built between the seventeenth and eighteenth centuries, with an English landscape park of about twelve thousand square metres. Owned in turn by the Airoldi, the Arrigoni marquesses and, from 1842, the Gnecchi Ruscone, it has been protected by the State since 2007. After a long period of abandonment, it found new guardians in 2026. The project aims to conserve it and to open it, one step at a time, to the life of Verderio.

This text may be reproduced freely, with credit to the source.

Getting it right

  • The name is Villa Gnecchi Arrigoni, as in the Lombardy Region catalogue of cultural heritage ("Villa Gnecchi, Arrigoni (già)"). The listing decree calls it "Villa Arrigoni Gnecchi Ruscone con parco".
  • It is not Villa Gnecchi, formerly Confalonieri, the neighbouring villa. Episodes such as Garibaldi's stay or the battle of 1799 belong to that complex.
  • The design images are visualisations, not photographs of the villa as it is today.

Images and contacts

High-resolution images, with credits and captions, are available on request.

The Foundation

A foundation for the villa.

A family can look after a villa. To keep it alive for generations, it needs something that outlasts any one family.

That is why we are establishing the Villa Gnecchi Arrigoni Foundation: a non-profit body devoted to the villa's conservation, to opening it to the public and to its cultural life.

Who does what

Three roles, one purpose.

The family, as custodians

The owning family looks after the villa. It provides for its daily care and makes it available to the Foundation's projects.

The Foundation

It directs resources to conservation, research, openings and activities for the local community. It accounts publicly for every contribution and how it was used.

The Friends of the Villa

They support the Foundation through the Italian "5 per mille" tax allocation or a donation, and follow its work closely.

How to support it

Once the Foundation is established.

As soon as the Foundation is established and entered in Italy's national register of non-profit bodies, you will be able to support it in two ways.

The 5 per mille

It costs nothing. Italian taxpayers simply sign their tax return and enter the Foundation's tax code.

A donation

Of any amount, with the tax benefits Italian law provides for non-profit bodies.

We will publish the tax code, bank details and accounts here. Until then, we are not raising funds.

Transparency

Every euro, in plain sight.

Public accounts, a report on the 5 per mille, and accounts kept separate from the family's. The Friends of the Villa will always know where their support goes.

Villa Notebooks

Notes on history, architecture and care.

Short studies of the villa and its village. Each Notebook cites its sources.

Friends of the Villa

Friends of the Villa

A way to stay close to its history and its future.

You will receive news of the restoration, new Notebooks and, once they are confirmed, the first opportunities to visit the villa. Joining is free, and you can leave with a single click.

Joining is free. Those who wish will be able to support the villa's Foundation once it has been established.

What interests you (optional)
Contact

Write to us.

For research and documents, for the press, for cultural proposals. If you have photographs or memories of the villa, we would be glad to receive them.

Location
Verderio (LC)

The villa is not open to the public. The first opportunities to visit will be announced here and to the Friends of the Villa.

Information

Privacy and cookies

Data controller. The owners of Villa Gnecchi Arrigoni, Piazza Sant'Ambrogio 2, 23879 Verderio (LC), Italy. The controller's full identification details are provided to anyone who requests them through the Contact form or by post to that address.

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Your rights. Access, rectification, erasure, restriction, portability, objection and withdrawal of consent (Articles 15 to 22 GDPR), by writing through the Contact form. You may lodge a complaint with the Italian data protection authority, the Garante per la protezione dei dati personali (garanteprivacy.it).

Last updated: 31 October 2026. The Italian text prevails.

Legal notes

Notice on images

Last updated: October 2026.

This translation is provided for convenience; the Italian text prevails.